The 2020 Kansas City Writing Workshop: March 28, 2020

screen-shot-2015-05-28-at-9-16-34-am.pngAfter successful one-day conferences in 2017 and 2019, Writing Day Workshops is excited to announce The 2020 Kansas City Writing Workshop — a full-day “How to Get Published” writers conference in Kansas City, on March 28, 2020.

This writing event is a wonderful opportunity to get intense instruction over the course of one day, pitch a literary agent or editor (optional), get your questions answered, and more. Note that there are limited seats at the event (150 total). All questions about the event regarding schedule, details and registration are answered below. Thank you for your interest in the 2020 Kansas City Writing Workshop!

(If you already know you want to register for the 2020 KC event, you can do so immediately at this link: http://bit.ly/KansasCityRegistrationForm)

WHAT IS IT?

This is a special one-day “How to Get Published” writing workshop on Saturday, March 28, 2020, at the Hampton Inn & Suites Kansas City Country Club Plaza. In other words, it’s one day full of classes and advice designed to give you the best instruction concerning how to get your writing & books published. We’ll discuss your publishing opportunities today, how to write queries & pitches, how to market yourself and your books, what makes an agent/editor stop reading your manuscript, and more. No matter what you’re writing — fiction or nonfiction — the day’s classes will help point you in the right direction. Writers of all genres are welcome.

This event is designed to squeeze as much into one day of learning as possible. You can ask any questions you like during the classes, and get your specific concerns addressed. We will have literary agents onsite to give feedback and take pitches from writers, as well. This year’s faculty so far includes:

  • editor Andrea Hall (Albert Whitman & Company)
  • literary agent Heather Cashman (Storm Literary)
  • literary agent Elizabeth Copps (Maria Carvainis Literary)
  • literary agent Jori Hanna (CYLE Literary)
  • literary agent Reiko Davis (Defiore & Company)
  • literary agent Kortney Price (Corvisiero Literary)
  • literary agent Stephanie Hansen (Metamorphosis Literary Agency)
  • literary agent Jessica Schmeidler (Golden Wheat Literary)
  • and possibly more agents to come.

By the end of the day, you will have all the tools you need to move forward on your writing journey. This independent event is organized by coordinator Chuck Sambuchino of Writing Day Workshops, with assistance from the Kansas & Missouri Society of Children’s Book Writers & Illustrators (SCBWI).

EVENT LOCATION & DETAILS

9:30 a.m. – 5:00 p.m., Saturday, March 28, 2020, at the Embassy Suites by Hilton Kansas City Plaza, 220 W 43rd St, Kansas City, MO 64111, (816) 756-1720.

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WORKSHOP SCHEDULE (MARCH 28, 2020)

9 – 9:30: Check-in and registration at the event location.

9:30 – 10:30: “Elevator, Twitter, or Query Letter? — How to Pitch and Get Noticed,” taught by Heather Cashman. Selling your story to an agent or editor requires grabbing their attention in a matter of seconds. Learn how to write strong pitches and queries that will grab a reader’s attention and get them wanting more. This session will not only address more conventional query letter pitches, but also how to utilize pitchfests on Twitter to gain agent attention.

10:30 – 11:45: “Breaking Out of Writer’s Block: Tips, Tricks, and Trades to Jumpstart Your Writing,” taught by Leatrice McKinney. Stuck on a scene? On a chapter? On an entire first act? Come learn a few ways to get out of a slump and get back on track with putting words to paper. This session, taught by a published author, will provide practices that have helped her and others meet deadlines and word count goals with (relative) ease.

11:45 – 1:15: Lunch on your own. There are several restaurants within quick driving/walking distance.

Screen shot 2014-10-02 at 10.30.04 PM1:15 – 2:30: “Writers’ Got Talent: A Page One Critique-Fest.” In the vein of American Idol or America’s Got Talent, this is a chance to get your first page read (anonymously — no bylines given) with attending agents commenting on what was liked or not liked about the submission. Get expert feedback on your incredibly important first page, and know if your writing has what it needs to keep readers’ attention. (All attendees are welcome to bring pages to the event for this session, and we will choose pages at random for the workshop for as long as time lasts.)

2:50 – 3:50: “5 Ways to Build Your Author Platform,” taught by Kerrie Flanagan. Whether you’re writing novels or are trying to position yourself as an expert for your nonfiction books, a strong author platform allows you to reach a large audience. The challenge for many writers is they feel overwhelmed and don’t know how to begin constructing that platform. This workshop alleviates that stress by sharing five different ways to build an effective author platform, allowing you to choose the routes that best match your personality and experiences.

4:00 – 5:00: “Working With an Agent,” taught by Kortney Price. This session, taught by a literary agent, explains how to best work with a literary agent once you have found representation. Have do you deal with long wait times when your work is on submission? How to communicate effectively with an agent when you’re not on the same page? What happens when you want to write in a different genre, but the agent doesn’t rep that category? These questions, and more, will be addressed.

All throughout the day: Agent & Editor Pitching.

PITCH AN AGENT!

Screen Shot 2018-11-13 at 2.29.57 PM.pngHeather Cashman is a literary agent with Storm Literary. She is seeking: “I’ll take anything in the middle grade or young adult realm, especially if it has a high concept. For adult, I am interested in romance, women’s fiction, political thrillers (even ones without a romance), and small town romances.” Learn more about Heather and her bio here.

Screen Shot 2019-11-25 at 11.40.49 AMAndrea Hall is an Editor at Albert Whitman & Co. She is particularly drawn to stories that have layers of meaning and diversity. For picture books, she seeks fiction and nonfiction: nature, STEM, multiculturalism, folktales, historical, biographies, special needs topics, #ownvoices. For chapter books and middle grade and young adult, she seeks contemporary, contemporary fantasy, magical realism, mystery, and historical fiction. Learn more about Andrea here.

Screen Shot 2019-10-29 at 8.38.10 AMReiko Davis is a literary agent with DeFiore & Co. Reiko’s interests are varied, but she is particularly drawn to adult literary and upmarket/mainstream fiction, narrative nonfiction, and young adult and middle grade fiction. Above all, she wants to discover books that surprise and move her with their irresistible characters and language. She loves a strong narrative voice; smart, funny heroines; narrowly located settings (especially towns in the South and Midwest); family sagas; darkly suspenseful novels; and stories of remarkable friendships or that explore the often perilous terrain of human relationships. For children’s books, she is actively looking for young adult and middle grade fiction—whether it be contemporary, historical, fantasy, or simply a story with a timeless quality and vibrant characters. For nonfiction, she is most interested in cultural, social, and literary history; fascinating tours through niche subjects; narrative science; psychology; guides on creativity; and memoir. Learn more about Reiko here.

Screen Shot 2019-01-16 at 12.53.16 PM.pngElizabeth Copps is a literary agent with Maria Carvainis Agency, Inc. “I represent a wide range of genres from middle grade and young adult, to adult contemporary + literary fiction, mystery, psychological thriller, women’s fiction, historical fiction, horror, and select nonfiction projects. I’m an equal fan of hilarious stories as well as dark, gritty and sinister reads.” Learn more about Elizabeth here.

Screen Shot 2019-11-14 at 11.47.38 PMKortney Price is a literary agent with Corvisiero Literary. Kortney specializes in books for children. This includes picture books, early readers, chapter books, middle grade and young adult works. In picture books, early readers, and chapter books, Kortney is drawn to fresh ideas, humor, and diverse representation. In middle grade, Kortney is desperately looking for adventure and survival stories, mysteries, science fiction, historical, fantasy and contemporary novels. Graphic novels are one of her favorite mediums. In young adult, Kortney is looking for her perfectly “dark and stormy” stories. Magical realism, psychological thrillers, steampunk, historical, paranormal and science fiction are favorites of hers. Outside of these, she loves sweet and humorous “geeky” or “artsy” romances. Learn more about Kortney here.

Screen Shot 2019-11-16 at 6.36.24 PMJori Hanna is a literary scout for CYLE Literary Elite.  As a literary agent, Jori personally seeks/represents suspense novels of any kind. But she is also acting as a literary scout for all of CYLE Literary Elite’s agents. That means she is happy to take pitches for picture books, board books, chapter books, middle grade (any kind), young adult (any kind), science fiction, fantasy, magical realism, romance, historical, women’s, Christian fiction, literary fiction, and mainstream fiction. In nonfiction, her agency seeks devotionals, self-help, inspirational, and parenting. Learn more about Jori here.

Screen Shot 2019-11-16 at 1.15.07 PMJessica Schmeidler is a literary agent with Golden Wheat Literary. She is seeking: general/mainstream fiction, mystery, romance, suspense/thriller, fantasy, science fiction, young adult and middle grade, religious nonfiction, children’s picture books, and Christian fiction. Golden Wheat Literary was founded in an effort to help connect Christian writers with the vast market of both Christian and secular publishers. To that end, the manuscripts that are accepted do not need to be overtly Christian, but must exist within the realities of Christian faith. If your manuscript’s elements can all be true without any part of God’s Word needing to step aside or be discounted, it is acceptable for submission/pitch. Learn more about Jessica here.

Screen Shot 2016-11-28 at 11.54.49 PM.pngStephanie Hansen is a literary agent with Metamorphosis Literary Agency. She represents predominately young adult science fiction & fantasy but has a secret addiction for adult thrillers. While these are her favorite, she also handles children’s picture books, middle grade, young adult science fiction & fantasy (diversity = a plus), adult literary fiction, and women’s fiction. She is actively building her client list. Learn more about Stephanie here.

 

More 2020 agents/editors may be added in the coming weeks.

These one-on-one meetings are an amazing chance to pitch your book face-to-face with an agent, and get personal, individual feedback on your pitch/concept. If the agent likes your pitch, they’ll request to see part/all of your book — sending you straight past the slush pile. It also gives you an intimate chance to meet with an agent and pick their brain with any questions on your mind.

(Please note that Agent/Editor Pitching is an add-on, separate aspect of the day, for only those who sign up. Spaces are limited for these premium meetings, and pricing/detail is explained below.)

PRICING

$169 — EARLY BIRD base price for registration to the 2020 KCWW and access to all workshops, all day, on March 28, 2020. As of October 2019, event registration is now OPEN.

Add $29 — to secure a 10-minute one-on-one meeting with any of our literary agents in attendance. Use this special meeting as a chance to pitch your work and get professional feedback on your pitch. (Spaces limited.) If they wish, attendees are free to sign up for multiple 10-minute pitch sessions at $29/session — pitching multiple individuals, or securing 20 minutes to pitch one person rather than the usual 10. Here are four quick testimonials regarding writers who have signed with literary agents after pitching them at prior Writing Day Workshops events. (Our bigger, growing list of success stories can be seen here.)

Screen Shot 2018-11-26 at 11.11.29 AM.png“I met my client, Alison Hammer, at the Writing
Workshop of Chicago and just sold her book.”
– literary agent Joanna Mackenzie of Nelson Literary

Screen Shot 2017-05-02 at 11.47.54 PM.png“Good news! I signed a client [novelist Aliza Mann]
from the Michigan Writing Workshop!”
– literary agent Sara Mebigow of KT Literary

Screen Shot 2018-11-05 at 12.56.10 PM“I signed author Stephanie Wright from
the Seattle Writing Workshop.”
– literary agent Kathleen Ortiz of New Leaf Literary

Screen Shot 2018-05-17 at 9.07.44 PM“I signed an author [Kate Thompson] that I
met at the Philadelphia Writing Workshop.”
– literary agent Kimberly Brower of Brower Literary

Screen Shot 2016-10-16 at 2.54.50 PM.png“I signed novelist Kathleen McInnis after meeting her
at the Chesapeake Writing Workshop.”

– literary agent Adriann Ranta of Foundry Literary + Media

Add $69 — for an in-depth, personal critique of your one-page query letter from Chuck Sambuchino, a former editor for Writer’s Digest Books and the Guide to Literary Agents. Registrants are encouraged to take advantage of the specially-priced critique, so they can send out their query letter with confidence following the workshop. Also, if you are meeting with an agent at the event, you’re essentially speaking your query letter aloud to them. Wouldn’t it be wise to give that query letter (i.e., your pitch) one great edit before that meeting?

Add $89 — for an in-depth personal critique of the first 10 pages of your novel. Spaces with faculty for these critiques are very limited, and participating attendees get an in-person meeting at the workshop. Options:

  • Mystery, women’s fiction, and romance (contemporary, rom-com, paranormal, YA): Faculty member Denise Grover Swank, a published writer, will get your work in advance, critique the first 10 double-spaced pages of your story, meet with you for at least 10 minutes at the workshop to discuss her thoughts, and pass along written critique notes at the meeting. If you submit romance to her, please note her accepted subgenres above; no Western, erotica, inspirational, or historical, please.
  • Science fiction and fantasy (both adult, and YA): Faculty member Leatrice McKinney (pen name L.L. McKinney), a published writer, will get your work in advance, critique the first 10 double-spaced pages of your story, meet with you for at least 10 minutes at the workshop to discuss her thoughts, and pass along written critique notes at the meeting. L.L. is happy to critique either YA or adult SF/F, and she prefers urban fantasy or contemporary fantasy.
  • Thriller, literary fiction, mainstream fiction, historical fiction, short stories, middle grade (all kinds), picture books, contemporary YA (no SF/F): Faculty member Eve Porinchak, a former literary agent and current writing coach, will get your work in advance, critique the first 10 double-spaced pages of your manuscript, and provide a critique. Picture books should be 1,000 words or fewer, and can or cannot include illustrations. Unlike other critiquers helping our KC 2020 workshop, Eve will not personally be at the event. That means you will get your notes emailed from her, and she can talk with you via Skype or phone in place of an in-person consultation.
  • More critique options possibly forthcoming.

How to pay/register — Registration is now open for 2020.

To register by Google Forms, click on the link below to fill out the form. Once you submit the form and let us know everything you want at the conference, you will get instructions on how to pay by PayPal or check.

http://bit.ly/KansasCityRegistrationForm

Once the Google form is complete and payment is made (either check or PayPal), you will have reserved a seat at the event.

If you have any issues with the Google form, or would simply rather talk with someone via email, just reach out to workshop organizer Kerrie Flanagan via email: WDWfaculty@gmail.com. She can pass along registration information to you, and give instructions on how to pay by PayPal or check. Once payment is complete, you will have a reserved seat at the event. The Kansas City Writing Workshop will send out periodic e-mail updates to all registered attendees with any & all news about the event. Because Kerrie plans different workshops, if you email her, make sure you note that you’re inquiring about the Kansas City workshop specifically.

REGISTRATION

Because of limited space at the venue of the Plaza hotel, the workshop can only allow 150 registrants, unless spacing issues change. For this reason, we encourage you to book sooner rather than later.

Are spaces still available? Yes, we still have spaces available. We will announce RIGHT HERE, at this point on this web page, when all spaces are taken. If you do not see a note right here saying how all spaces are booked, then yes, we still have room, and you are encouraged to register.

How to Register: Registration is now open for 2020.

To register by Google Forms, click on the link below to fill out the form. Once you submit the form and let us know everything you want at the conference, you will get instructions on how to pay by PayPal or check.

http://bit.ly/KansasCityRegistrationForm

Once the Google form is complete and payment is made (either check or PayPal), you will have reserved a seat at the event.

If you have any issues with the Google form, or would simply rather talk with someone via email, just reach out to workshop organizer Kerrie Flanagan via email: WDWfaculty@gmail.com. She can pass along registration information to you, and give instructions on how to pay by PayPal or check. Once payment is complete, you will have a reserved seat at the event. The Kansas City Writing Workshop will send out periodic e-mail updates to all registered attendees with any & all news about the event. Because Kerrie plans different workshops, if you email her, make sure you note that you’re inquiring about the Kansas City workshop specifically.

Refunds: If you sign up for the event and have to cancel for any reason, you will receive 50% of your total payment back [sent by check or PayPal]. The other 50% is nonrefundable and will not be returned, and helps the workshop ensure that only those truly interested in the limited spacing sign up for the event. (Please note that query editing payments are completely non-refundable if the instructor has already edited your letter.)

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Thank you for your interest in the 2020 Kansas City Writing Workshop.

 

 

 

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