After a successful launch in 2017, Writing Day Workshops is excited to announce The 2019 Kansas City Writing Workshop — a full-day “How to Get Published” writing event in Kansas City, MO, on March 30, 2019.
This writing event is a wonderful opportunity to get intense instruction over the course of one day, pitch a literary agent or editor (optional), get your questions answered, and more. Note that there are limited seats at the event (150 total). All questions about the event regarding schedule, details and registration are answered below. Thank you for your interest in the 2019 Kansas City Writing Workshop!
WHAT IS IT?
This is a special one-day “How to Get Published” writing workshop on Saturday, March 30, 2019, at the Hampton Inn & Suites Kansas City Country Club Plaza. In other words, it’s one day full of classes and advice designed to give you the best instruction concerning how to get your writing & books published. We’ll discuss your publishing opportunities today, how to write queries & pitches, how to market yourself and your books, what makes an agent/editor stop reading your manuscript, and more. No matter what you’re writing — fiction or nonfiction — the day’s classes will help point you in the right direction. Writers of all genres are welcome.
This event is designed to squeeze as much into one day of learning as possible. You can ask any questions you like during the classes, and get your specific concerns addressed. We will have literary agents onsite to give feedback and take pitches from writers, as well. This year’s faculty so far includes:
- literary agent Stephanie Hansen (Metamorphosis Literary Agency)
- literary agent Eric Smith (P.S. Literary)
- literary agent Jessica Schmeidler (Golden Wheat Literary)
- editor Heather Cashman (Entangled Publishing)
- literary agent Leanne Tavares (Metamorphosis Literary Agency)
- and more to come.
By the end of the day, you will have all the tools you need to move forward on your writing journey. This independent event is organized by coordinator Kimiko Nakamura of Writing Day Workshops.
EVENT LOCATION & DETAILS
9:30 a.m. – 4:30 p.m., Saturday, March 30, 2019, at the Hampton Inn & Suites Kansas City Country Club Plaza, 4600 Summit St., Kansas City, MO 64112. (816)448-4600.
WORKSHOP SCHEDULE (MARCH 30, 2019)
9 – 9:30: Check-in and registration at the event location.
9:30 – 10:30: “Your Publishing Options Today.” This workshop examines the two largest routes any writer can take with their book: traditional publishing and self-publishing (e-publishing). We will examine the upsides of both routes, the downsides, and the next steps no matter what you decide. In today’s publishing world, a writer has to understand what they’re in for before they send their book out. This session is designed to prepare them for what’s to come and what options exist.
10:30 – 11:45: “Everything You Need to Know About Agents, Queries & Pitching.” This workshop is a thorough crash course in dealing with literary agents. After quickly going over what an agent is and what they do for writers, we will discuss resources for finding agents, how to ID the best agents for you, query letter writing, as well as the most important things to do and not to do when dealing with representatives.
11:45 – 1:15: Lunch on your own. There are several restaurants within quick driving distance. A map of places to eat will be passed out prior to the event.
1:15 – 2:30: “Writers’ Got Talent: A Chapter One Critique-Fest.” In the vein of American Idol or America’s Got Talent, this is a chance to get your first page read (anonymously — no bylines given) with attending agents commenting on what was liked or not liked about the submission. Get expert feedback on your incredibly important first page, and know if your writing has what it needs to keep readers’ attention. (All attendees are welcome to bring pages to the event for this session, and we will choose pages at random for the workshop for as long as time lasts.)
2:40 – 3:40: “How to Market Yourself and Your Books: Author Platform & Social Media Explained.” A writer’s platform is as important as ever now. Visibility and ability to self-market are mandatory these days for writers of nonfiction and self-published works. Furthermore, fiction writers want a platform to sell more books, meet readers, and increase their value. This speech teaches writers the basics of what a platform is and why it is necessary. Then we delve into the building blocks of what can constitute a platform, from media appearances and speaking engagements to blogs, Facebook, Twitter and more.
3:40 – 4:30: “How to Get Published: 10 Professional Writing Practices That You Need to Know NOW to Find Success as a Writer.” This final speech is a general presentation examining good writing practices that all editors appreciate—whether writing for books, magazines, newspapers or online. It discusses how to not put all your eggs in one writing basket, how to steal ideas from yourself to generate more stories and books, how to avoid the two most common reasons agents reject you, and much more.
All throughout the day: Agent & Editor Pitching.
PITCH AN AGENT!
Stephanie Hansen is a literary agent with Metamorphosis Literary Agency. She represents predominately young adult science fiction & fantasy but has a secret addiction for adult thrillers. While these are her favorite, she also handles children’s picture books, middle grade, young adult science fiction & fantasy (diversity = a plus), adult literary fiction, and women’s fiction. She is actively building her client list. Learn more about Stephanie here.
Eric Smith is a literary agent with P.S. Literary Agency. He seeks adult science fiction and fantasy. “I’m looking for accessible fantasy and sci-fi, especially books that do a bit of genre blending.” That said, no adult epic fantasy or military sci-fi, please. He likes adult literary & commercial/mainstream fiction: “Again, the sweet spot here, is work that does a bit of genre mashing. I like literary novels with a splash of quirk.” Thrillers and mysteries are welcome, but no thrillers about terrorism, please. In young adult, he seeks contemporary, science fiction and fantasy — including diverse voices/books or genre blending. For nonfiction, he likes cookbooks (particularly ideas from bloggers), books that focus on pop culture and geekery, fun books that teach readers about the odd and the unique (a la Mary Roach), and essay collections & memoir from people who are writing and publishing pieces actively. He is not seeking: middle grade, picture books, angel & demon love stories, heaven/hell stories, horror, or adult fiction about sports. (YA fiction about sports is fine.) Learn more about Eric here.
Heather Cashman is an editor with Entangled Publishing. She and Entangled are seeking: “We’ll take anything in the young adult realm that has a high concept. We are also interested in romance, women’s fiction, political thrillers (even ones without a romance), and small town romances for our Bliss line.” Learn more about Heather and her bio here.
Leanne Tavares is a literary agent with Metamorphosis Literary. She is seeking: new ways to fall in love. Romance in all age groups and genres sits high on her list, followed closely by women’s fiction and contemporary stories in both adult and young adult. Sports stories of any kind are welcomed and encouraged. Extra credit to stories based near Boston, MA and/or feature a diverse cast. Leanne is not a great fit for thrillers/mysteries or historical fiction at this time. Learn more about Leanne here.
Jessica Schmeidler is a literary agent with Golden Wheat Literary. She is seeking: general/mainstream fiction, mystery, romance, suspense/thriller, fantasy, science fiction, young adult and middle grade, religious nonfiction, children’s picture books, and Christian fiction. Golden Wheat Literary was founded in an effort to help connect Christian writers with the vast market of both Christian and secular publishers. To that end, the manuscripts that are accepted do not need to be overtly Christian, but must exist within the realities of Christian faith. If your manuscript’s elements can all be true without any part of God’s Word needing to step aside or be discounted, it is acceptable for submission/pitch. Learn more about Jessica here.
More 2019 agents/editors will be added in the coming weeks.
These one-on-one meetings are an amazing chance to pitch your book face-to-face with an agent, and get personal, individual feedback on your pitch/concept. If the agent likes your pitch, they’ll request to see part/all of your book — sending you straight past the slush pile. It also gives you an intimate chance to meet with an agent and pick their brain with any questions on your mind.
(Please note that Agent/Editor Pitching is an add-on, separate aspect of the day, for only those who sign up. Spaces are limited for these premium meetings, and pricing/detail is explained below.)
$169 — EARLY BIRD base price for registration to the 2019 KCWW and access to all workshops, all day, on March 30, 2019. As of November 2018, event registration is now OPEN.
Add $29 — to secure a 10-minute one-on-one meeting with any of our literary agents in attendance. Use this special meeting as a chance to pitch your work and get professional feedback on your pitch. (Spaces limited.) If they wish, attendees are free to sign up for multiple 10-minute pitch sessions at $29/session — pitching multiple individuals, or securing 20 minutes to pitch one person rather than the usual 10. Here are four quick testimonials regarding writers who have signed with literary agents after pitching them at prior Writing Day Workshops events. (Our bigger, growing list of success stories can be seen here.)
“I signed with my agent, Patricia Nelson, after
meeting her at the Arizona Writing Workshop.”
– writer Axie Oh
“I officially signed with agent Renee Nyen of KT
Literary. I met her at the Colorado Writing
Workshop.” – writer Jessie Hilb Akos
“After taking pitches at the Michigan Writing
Workshop, I signed writer Kyle Prue as a new
client.” – literary agent Veronica Park
“After taking pitches at the Alabama Writing
Workshop, I met Erin Hollis at a pitch session, and
she is now my newest client.” – agent Julie Gwinn
Add $69 — for an in-depth, personal critique of your one-page query letter from Chuck Sambuchino, a former editor for Writer’s Digest Books and the Guide to Literary Agents. Registrants are encouraged to take advantage of the specially-priced critique, so they can send out their query letter with confidence following the workshop. Also, if you are meeting with an agent at the event, you’re essentially speaking your query letter aloud to them. Wouldn’t it be wise to give that query letter (i.e., your pitch) one great edit before that meeting?
How to pay/register — Registration is now open. Reach out to workshop organizer Kimiko Nakamura via email: firstname.lastname@example.org, and she will provide specific instructions for payment and registration to get you a reserved seat at the event. Payment is by either PayPal or check. Because Kimiko plans different workshops, make sure you note that you’re inquiring about the Kansas City workshop specifically.
Because of limited space at the venue of the Plaza hotel, the workshop can only allow 125 registrants, unless spacing issues change. For this reason, we encourage you to book sooner rather than later.
Are spaces still available? Yes, we still have spaces available. We will announce RIGHT HERE, at this point on this web page, when all spaces are taken. If you do not see a note right here saying how all spaces are booked, then yes, we still have room, and you are encouraged to register.
How to Register: The easy first step is simply to reach out to workshop organizer Jessica Bell via email: email@example.com. She will pass along registration information to you, and give instructions on how to pay by PayPal or check. Once payment is complete, you will have a reserved seat at the event. The KCWW will send out periodic e-mail updates to all registered attendees with any & all news about the event. Because Jessica plans different workshops, make sure you note that you’re inquiring about the Kansas City workshop specifically.
Refunds: If you sign up for the event and have to cancel for any reason, you will receive 50% of your total payment back [sent by check or PayPal]. The other 50% is nonrefundable and will not be returned, and helps the workshop ensure that only those truly interested in the limited spacing sign up for the event. (Please note that query editing payments are completely non-refundable if the instructor has already edited your letter.)